Events
Janet Stewart has been a key figure in our local arts scene for decades, and this is our chance to celebrate her and see a large collection of her work from over 40 years displayed in one place.
Please join us for a special viewing on the evening of Thursday September 2nd (6-8pm, with Janet in attendance), or Tuesday to Friday between 11 and 4 to see this incredible collection.
This charming show will be on display in our upstairs gallery for the whole month of September and is well worth a visit. Fran is a regular at the THACC, and we are so pleased to be able to share some of her work with our community. Before coming here, this show was on display in Halifax. Read on to learn more about this collection and the artist.
Artist’s statement:
For the series “Beloved Gloves,” I collected gloves of friends – artists, economists, scientists, carpenters, cyclists, mothers, doctors and others. There’s a story behind each pair, often touching, and that’s part of the show, too. Gloves are like a second skin and sometimes hold the residual shape of the hand. Painting them augmented my practice of drawing from life, and also allowed me to connect with the owner as I worked. Through this series I managed a rhythm of painting, thus honing layout, colour harmony and painterly brushstrokes.
I’m a retired Creative Director. My commercial work is prominent in visual applications across Nova Scotia and beyond. Now I
am returning to my artist’s roots. I received degrees in Fine Arts from the State University of New York at Buffalo and Nova Scotia College of Art and Design. I studied illustration at School of Visual Art and drawing at the Art Students League in New York. Today, along with painting, I maintain a weekly practice of drawing from live models in Liverpool and Mahone Bay.
| Set on a Nova Scotia dairy farm, John Andrew has just lost his wife Miranda to cancer. When a young woman with a startling resemblance to Miranda appears on his porch, an odyssey towards understanding begins. John Andrew’s estranged son Donald is now Dawn, and she’s come home to mourn her mother and keep her promise to repair her relationship with her Dad. Restoring the tractor her mother learned to drive on becomes a focus for the mechanically minded Dawn. John Andrew begins to realize that if he’s to reclaim this relationship, he has to come out with Dawn, and what better setting than the community tractor trials — an event Miranda created as a tireless village volunteer — where he proudly cheers for his daughter Dawn, as she enters the arena at the wheel of the lovingly restored tractor.
Starring Maya V. Henry & Robb Wells Writer/Director Shelley Thompson Produced by Terry Greenlaw
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| Set on a Nova Scotia dairy farm, John Andrew has just lost his wife Miranda to cancer. When a young woman with a startling resemblance to Miranda appears on his porch, an odyssey towards understanding begins. John Andrew’s estranged son Donald is now Dawn, and she’s come home to mourn her mother and keep her promise to repair her relationship with her Dad. Restoring the tractor her mother learned to drive on becomes a focus for the mechanically minded Dawn. John Andrew begins to realize that if he’s to reclaim this relationship, he has to come out with Dawn, and what better setting than the community tractor trials — an event Miranda created as a tireless village volunteer — where he proudly cheers for his daughter Dawn, as she enters the arena at the wheel of the lovingly restored tractor.
Starring Maya V. Henry & Robb Wells Writer/Director Shelley Thompson Produced by Terry Greenlaw
|
| Set on a Nova Scotia dairy farm, John Andrew has just lost his wife Miranda to cancer. When a young woman with a startling resemblance to Miranda appears on his porch, an odyssey towards understanding begins. John Andrew’s estranged son Donald is now Dawn, and she’s come home to mourn her mother and keep her promise to repair her relationship with her Dad. Restoring the tractor her mother learned to drive on becomes a focus for the mechanically minded Dawn. John Andrew begins to realize that if he’s to reclaim this relationship, he has to come out with Dawn, and what better setting than the community tractor trials — an event Miranda created as a tireless village volunteer — where he proudly cheers for his daughter Dawn, as she enters the arena at the wheel of the lovingly restored tractor.
Starring Maya V. Henry & Robb Wells Writer/Director Shelley Thompson Produced by Terry Greenlaw
|
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
An established Mi’kmaq artist, Alan Syliboy’s work is influenced by the indigenous Mi’kmaq rock drawing and quill weaving traditions. Working in acrylic and mixed media, Alan creates vibrantly coloured images exploring the themes of family, searching, spirituality, struggle, and strength. The use of layering symbols and mark making creates depth and texture in Alan’s work.
